The series of vintage cereal premiums continues with the hopelessly complicated (for its target audience) card No.3 ‘Ski Chase’ and the ‘Hangman’ inspired ‘Tower Of Pisa’ game.
Once again the only saving grace here is the fantastic artwork (presumably by Garcia-Lopez) that is a great prelude to the definitive works he would produce only a year later for the beloved Kenner ‘Super Powers’ Action Figure line…
Coming soon – The final pair..!
As promised, here are the first two (of a set of six) Superman III Shreddies promotional wipe-away ‘Action Replay’ game cards. Game 1 you will notice is a thinly-disguised version of Battleship and game 2 is a weird variation on Connect 4.
As the play potential of these is evidently limited, thank goodness the colourful artwork elevates them above your standard cereal giveaway – parts 3&4 coming soon..!
With the unveiling of the latest live-action incarnation of the Maid of Might going viral faster than a speeding bullet, SUPERMANIA leaps ‘once upon a time-warp’ to compare Super-Fashions thru the ages.
While the new small-screen ensemble leans heavily to the modern trend of muted, almost blacked out colours (influenced by, and therefore canon with Zack Snyder’s Man of Steel) its interesting to observe that the basic format of the suit has transcended any excessive studio revisionism and still echoes the movie version years later.
Emerging from a decade where the Superhero costume in live action was considered passé and decidedly uncool (pioneered by the producers of Smallville and their ‘no flights, no tights’ rule) its refreshing have the source material embraced fully once again.
Indeed, given the creative freedom afforded to other recent DC Comics adaptations like Arrow and The Flash with their ultra-modern twist the fact the mini-skirt and even the classic ‘S’ shield survived intact signifies a welcome return to classic comic iconography.
The translation of a comic-book costume to screen is traditionally subject to infinitesimal changes as designer Emma Porteous discovered in creating Helen Slater’s look for Supergirl in 1984. Literally adapting the style seen in the comics of the era, early versions of the costume (as seen in the Making of Supergirl) had the young actress screentest in a baggy suit resplendent with red headband. Successive fittings would eventually realise a feminine version of the Superman costume worn by Christopher Reeve (even utilizing his production-used capes) with the subtle additions of yellow waistband and a two-tone skirt in place of red shorts.
In 2011 The Children’s Museum of Indianapolis was host to a multitude of screenused treasures in their ‘Incredible Costumes from Film & TV’ exhibition, where an original Supergirl costume (on loan from the Azerian collection) was paired with one of Lynda Carter’s surviving season 2 costumes from Wonder Woman (top pic). Exclusive images courtesy of their flickr album permit detailed inspection of the costume as it was prepared for display confirming the fabric used was indeed the same ‘Bridal weight spandex’ from the Superman series and that the capes were trimmed considerably (second pic).
As the boots were not present to complete the outfit its notable that the tights actually had boot-esque stockings attached to be worn beneath them in exactly the same design with the yellow trim. Construction-wise the suit retains the same patterns as the Superman costume with the exception of the chest shield, which in this instance is so small the complex method of inserting the negative shapes gave way to simply stitching the ‘S’ directly onto the yellow background.
With the new show debuting this year and rumours of Helen Slater making an appearance it seems the Supergirl fairytale is set to continue for years to come…
SUPERMANIA extends many happy returns to director Sidney J. Furie on this, his 82nd birthday and marks the occasion with this super-rare vintage proof sheet for his movie Superman IV: The Quest For Peace.
A beautiful oversize colour lithograph intended for print in Daily Variety in 1987 (second pic), this double-page ad puts Daniel Goozee’s striking poster art to great use (third pic) while delivering the great news that the movie had grossed a very respectable $5,683,122 domestically in its first three days (bottom pic).
While this great opening (across 1511 theatres) would ultimately falter in the proceeding weeks, this unique treasure is a fitting tribute to what many consider to be the most well intended of the Superman series, even if it wasn’t the best executed.
Many happy returns Sidney J!
Enjoy this vintage German promotional material for the international release of Superman IV: Die Welt Am Abgrund’, (Interestingly translated as ‘The World At The Abyss’) where the copy goes to considerable effort to make the movie sound like the greatest thing to ever grace the silver screen.
Featuring the ‘unique’ German cut & paste poster art, the tiny Cinenews Program from March 1988 (top pic) proudly declares this is ‘Superman’s last chance’ in ‘The huge battle with over 300 optical effects’ before opening up to a nicely composed spread of publicity photos (second pic) where the accompanying review labels it ‘As strong as Kryptonite’.
Exhibiting far more restraint is the large pull-out poster (third pic) from an unknown magazine produced in association with the movie’s broadcast on German TV channel Sat 1, where it was presented as the cult movie of the week…