



SUPERMANIA is pleased to report that at very long last the art and text for the Superman IV Trading Card set is complete! Barring last-minute changes, the set is now in the capable hands of Alexei who is currently in the process of selecting the ideal machine and sourcing the most accurate card stock for the era before going to print…
More updates and printed samples to follow..!




In celebration of Superman’s 75th birthday, SUPERMANIA looks back at a special moment in the character’s history where the comic-book and movie worlds would briefly collide, culminating in one of the most publicised campaigns in its history.
With the unprecedented response to the Great Superman Movie Contest and resulting boost in sales for DC Comics, a follow-up competition was somewhat of an inevitability. But what could possibly top the prize of the first contest (where lucky young winners Tim Hussey and Ed Finneran were picked from thousands of entries to actually appear in Superman: The Movie) and what challenge would have to be met to better the submission of coupons obtained over months of various DC titles?
Fans may have had to answer a series of complex DC trivia questions to enter this time (25 in fact, all buried within the pages of different issues) but the prize was arguably even more coveted – Christopher Reeve’s screen-worn walking cape from Superman: The Movie.
Once again from the multitude of submissions (and many more lower tier prizes won) only 21 entrants managed to answer the questions 100% correctly. DC President Sol Harrison thought such dedication should be rewarded by the final draw being made by somebody prestigious from the new Movie – and who better than Superman himself?
DC employee Bob Rozakis recounts – “So, the morning he came in, he was escorted down the hall to Sol’s office and with all pomp and circumstance, Chris reached into the box and pulled out the winner. He was quite surprised that the box was not overflowing with cards, but when we explained about the 25 questions, he smiled and said, “I never would have gotten them all and I am Superman!”
Editor Jack Harris elaborates further – “Sol Harrison had charged me with the task of finding ‘someone from the movie’ to draw our winners because of my contacts with the Warner Publicity Department during my editing of “Superman: the Movie Magazine.” I called my contact upstairs and told him what we were looking for. Proving the theory that no one in New York City is more that two phone calls away from anyone else, I called the agent. I asked him if any of his clients would be willing to help us. He said, “Oh, there’s someone here in my office right now who can probably help you.” In another second I was talking to Christopher Reeve himself! Chris told me he was appearing on a morning news show the following day in a studio right across the street from the DC offices at Rockefeller Center and that he would be happy to stop by…”




SUPERMANIA is pleased to report the Superman IV trading card project is still not only very much alive, but finally nearing completion. A complex and time-consuming endeavour due to the volume of cards to be produced (99 In total, comprised of a mixture of original and screen captured images) with an all-new adaptation of the complete story (written by myself) of the longest cut of the film serialised on the card backs.
This, along with design and execution painstakingly researched to appear authentic for the era, is intended to fill the void left by the only Superman Movie never to have produced a card set of its own. Talented Alexei Lambley-Steel (editor of A Tribute To Christopher Reeve) is currently hard at work composing the final base set with a view to adding a sticker set/wrapper on its completion.
Updates to follow..!




With a glittering career spanning over five decades and the globe, its intriguing to discover British stalwart costume designer Yvonne Blake’s first tribute volume is written in Spanish. Indeed, Victor Matellano’s lavishly-illustrated paperback went unbeknownst to me until late last year despite being published in 2006.
And what a volume it is – over the course of almost 300 pages the reader is treated to dozens of Ms. Blake’s sketches (rendered in her distinctive style) with corresponding photographs of the staggering multitude of productions showing how her creations were brought to memorable life. Having dressed everybody from Streep to Pacino it becomes more and more remarkable as the chapters come & go just how many screen credits have been amassed in some of the most popular movies of the 20th century.
With an introduction by notoriously recluse Director Richard Lester, the book charts Blake’s early career beginning in late ’50’s London and steadily gaining momentum thanks to the British Hammer Horror productions throughout the 60’s and expanding onto bigger budget blockbusters such as ‘The Eagle Has Landed’. By 1973 Blake had a considerable Hollywood portfolio and had caught the attention of extravagant producer Alexander Salkind, who along with his son Ilya hired Blake for their ambitious take on ‘The Three Muskateers.’ for what would infamously become two pictures shot simultaneously. So well-received were Blake’s creations that the young designer was first and only choice for the Salkind’s next huge project, Superman: The Movie.
Chapter 11 is entitled Marlon Brando y el hombre de acero (Marlon Brando and the Man of Steel) and is devoted to exploring how these now classic creations were forged (see pics above). From Brando’s own day-glo robes (achieved by firing light onto 3M front projection material) to the final design of the first cinematic Superhero costume not intended to draw yucks from a modern audience…
While precious little information has surfaced over the years about the nature of Blake’s Superman costume, dedicated fans including myself have pooled resources and have attempted to provide the most exhaustive guide to date (the book corroborates most of our findings short of stating the costumes were made in Austria rather than Germany) and the updated version can be found here along with sumptuous galleries portraying Blake’s most lingering legacy…




As anticipation and excitement starts to gather momentum for the return of The Man Of Steel to the silver screen, SUPERMANIA responds in typically retro-fashion. Please enjoy this latest collaboration with the talented Alexei Lambley-Steel (editor of A Tribute To Christopher Reeve) to authentically mirror the latest cover of bestselling UK film magazine EMPIRE not only with its 1978 counterpart but also special editions dedicated to the sequels. In a similar wish-fulfillment endeavor to our Superman IV trading card project, the idea was to produce passable facsimiles of genuine covers had Empire existed during the original series run (the magazine was first published in 1989!). Besides the horrifying onset on inflation its interesting to note the evolution of graphic styles over a decade (I used real publications of the era such as Films Illustrated for reference) and how the images selected are still as striking today. In an age of artifice where we love our heroes dark, the experiment above proves there is much still to be said for reality and the light…
SUPERMANIA extends its thanks to Capedwonder Jim Bowers for use of his imagery and Alexei for tireless dedication to the Real Man of Steel..!