SUPERMANIA brings you a first-hand report from the halls of the Art Ludique-Le Musée in Paris, currently housing the largest archive of DC Comics related exhibits from both page and screen ever to be assembled.
First reported here and now extended until January next year, word on the museum’s Facebook page is ‘The Art of DC – Dawn of the Superheroes’ is destined for the UK in 2018, just in time for the 40th anniversary of Superman: The Movie.
For now, however, please enjoy the superb images and insights from Superfan Graham Holden as he takes you on this exclusive walkthrough…
“Having heard about “The Art of DC – Dawn of the Super Heroes” exhibition around the time it was originally due to close in September, I was excited to hear it had been extended to early January 2018 so I had to pay a visit. The only concern I had was that the exhibition itself was being held at the Art Ludique-Le Musée in Paris and not closer to me in the UK.
When I walked into the exhibition, I was immediately thrilled to hear John Williams’ classic Superman theme playing on a continuous loop – and soon as I turned the corner, there stood the holy grail I had come to see above everything else…a near perfect Superman The Movie costume as worn by Christopher Reeve. The Superman costume colours were vibrant and in great condition, with a small bit of wear on the oval belt buckle. I was very surprised by just how great the costume looked, you’d never have guessed it was over 40 years old. Alongside it stood a Clark Kent suit with unbuttoned shirt and Superman tunic beneath it from Superman II, It’s a moment any fan of Superman – especially the Christopher Reeve series – will get goosebumps seeing these iconic costumes with the iconic theme playing around you at the same time.
I felt like a kid standing face to face with the Man of Steel himself and was very happy I’d made this pilgrimage to see this exhibition. Around the same area were a number of storyboard drawings and preproduction designs from both Superman I &II, including an alternative look at Krypton technology and The Phantom Zone with Jor-El and the villains sketched out.
There were also small Superman and Lois Lane models side by side in a display case, used for their romantic night time flight over Metropolis. You could tell from the detailing on the Superman model that the same fabric used to make the costumes worn by Reeve had also been used in the miniature.
As I spent considerable time taking in these exhibits and looking over them again and again, numerous visitors were entering and the reaction to seeing Christopher Reeve’s Superman costume was the same as mine, pure joy and excitement with lots of photographs and selfies taken.
As for the rest of the exhibition, we were treated to much more original comic book artwork from the world of DC Comics, as well as costumes, props and production artwork from Superman Returns, the unmade Superman Lives and Batman ’89, Batman Returns, Batman Forever, Batman & Robin and The Dark Knight trilogy.
Thank you DC Comics, Warner Brothers and Art Ludique-Le Musée for creating this exhibition and allowing this fan from the UK and many others, the chance to enjoy such a priceless experience…”
SUPERMANIA is proud to present the first of what will hopefully be a series of custom projects to celebrate the 40th anniversary of Superman: The Movie in 2018.
A longtime collaboration with Alexei Lambley-Steel has once again yielded an item of superior quality for the discerning SuperFan in the form of a replica necktie as worn by Clark Kent in his first scenes at the Daily Planet.
The ‘City Beat’ has been meticulously recreated from the original costume as originally supplied by Barney’s of New York. Using newly-discovered reference material (Bottom pic) the tie also features a reproduction Bermans & Nathans costume tag with handwritten details (just like the originals!) of the scene number for which it was used (as per the script) and the number from its Limited Edition of 50.
Response to this superb retro accessory has been phenomenal and very few remain. Please email email@example.com for further info.
Coming soon, Clark Kent’s iconic Tortoiseshell eyeglasses…
SUPERMANIA marks the 30th anniversary week of the final entry in the classic Superman series released in Cinema’s across the world with an unprecedented trio of posts (one for every 10 years!) of rare and unseen material.
Despite ‘Coming On Strong’ (according to the US tagline) in July 1987, Superman IV: The Quest or Peace continues to be divisive decades later. Critically mauled on initial release leading to audience indifference and disastrous box-office, the Cannon Films production would be a franchise killer long before the term was properly coined.
Against considerable odds, however, the film somehow endures to this day. Despite its reputation as one of the worst comic-book films ever made, something about the beleaguered production and deeply flawed 90-minute (un)finished product still resonates and manages to retain a small but dedicated fanbase. Those who can see beyond the cut-price visual effects and clunky plot to embrace it as a pure translation of comic-book to film are rewarded with some classic Superman Movie moments and at its heart, as always, the performance of the late Christopher Reeve.
Much maligned as it may be, the film is the guilty pleasure that refuses to fade away, clinging firmly to its cult status. But don’t take my word for it, go here to read a fabulous new retrospective written by Bill Williams, where you’ll discover the real legacy of this film is that it got made at all. Indeed, until such time as the complete and uncut edition is pulled from the WB archives and restored, we literally have don’t yet have the full picture…
From the top – The exciting latest addition to the SUPERMANIA archive is this authentic, production-used Stunt Double black satin crew jacket! This was acquired from Propstore and is most likely attributed to Christopher Reeve’s stuntman Mark Stewart (Reeve himself wore a very similar one onset). Paired with a genuine crew cap, this represents a complete ensemble as worn by personnel at Elstree Studios in 1986…
Above, more never-before-published pages from the volume of storyboards pencilled by Martin Asbury as scans resume from the Big Red Book last posted over three years ago!! There are many more to follow this sequence of the battle for the Statue of Liberty and it should be noted this vast binder houses the complete version of the film, so future updates will document the epic Metropolis battle as it was meant to be seen, including yellowcabs tossed around like rocks!
Below, a brand-new set of fanmade vintage style promotional ads for Superman IV presented by Jason Leggett, giving us an insight into what might have been had the advertising budget matched those of previous instalments…