Courtesy of Superman In Advertising And Media come these exclusive vintage photographs of the artefacts featured in The Smithsonian Institution’s ‘Superman, Many Lives, Many Worlds’ exhibition circa 1988.
Celebrating the 50th anniversary of a true American icon, SUPERMANIA continues its retrospective from the star-attended opening (click here) to the significant collection on display and even some memorabilia from the event itself.
While the George Reeves TV show The Adventures Of Superman features prominently behind the Plexiglas, the recent release of Superman IV: The Quest For Peace had clearly yielded some treasures under the banner of ‘A New Superman In Hollywood’ where both Christopher Reeve’s Superman Costume featured at one end (top pic) and Mark Pillow’s Nuclearman costume at the other. Quite why the expensive outfits were mounted on such cheap wooden cutouts is a mystery but faring better is Margot Kidder’s silk dress (second pic) accompanied by no less than Reeve’s Clark Kent glasses and Marc McClure’s bow-tie worn as Jimmy Olsen.
Other great items from the movies on show are an original Daily Planet newspaper cover and below it, one of the script drafts for Superman IV by Konner and Rosenthal. As if the opportunity of seeing these relics first-hand was not enough, there was also an opportunity to purchase exclusive collectibles on the day, such as the advertising postcard (third pic) with superb art from Jose Luis Garcia-Lopez and two buttons below from the SUPERMANIA collection pictured with a promotional ad…
Celebrating in true British fashion with a slice of cake, a velvet-jacket clad Christopher Reeve cuts into a dessert of Super-proportions to officially open the afterparty for the European Premiere of Superman: The Movie
On this very day (December 13th) in 1978, fresh from a charity screening and an audience with the Royal Family, (headed by Her Majesty The Queen, more to come in future posts!) the cast and producers (bottom pic) finally take a moment to relax and reflect on the culmination of a project they had begun five years previously at an exclusive Supper held at Claridges in London..
Italian TV guide (second & third pic) covered the event by sharing some closely-guarded secrets of how some of the pioneering flying effects were achieved. As this wizardry was key to the selling of the movie (feature title translates ‘How Superman learned To Fly‘) the producers forbade any footage or stills of the flying scenes creation in advance, prompting painted ‘making of’ illustrations in the article.
SUPERMANIA extends its thanks to Capedwonder.com for the top pic and to Sarah Douglas for the rare pic taken from her Facebook page, (bottom) showing (from left to right) Sarah herself, Ilya Salkind, Christopher Reeve, Susannah York and Pierre Spengler…
For a movie over 30 years old and generally reviled by fans and critics alike, its amazing how Superman IV: The Quest for Peace still solicits such in-depth analysis to this day.
Indeed, few other motion pictures historically have spawned so such controversy over their shooting locations – mostly attributed to the fact the movie was shot in its entirety in the UK and budget restrictions did little or nothing to disguise the fact. As unlikely now as it was at the time, the majority of exteriors doubling for New York clone Metropolis were found in Milton Keynes, Buckinghamshire.
In fairness to Production Designer Graham Easton, there would be very little viable alternative finding a city in England with anything like the kind of architecture required to successfully convey any US city, let alone the Big Apricot. So in 1986, with the assurance anything above six storeys would be adapted into a convincing skyline with the addition of matte paintings (created by either Harrison or Peter Ellenshaw), The city of a thousand roundabouts with its glass & steel frontages must have seemed a safe bet.
With that in mind, please take the time to look at this awesome piece from the guys at Den Of Geek that revisits the locale as it stands today. Besides the fact very little has changed from then to now its remarkable how close in proximity all these filming sites were (The Metropolis Hotel, Museum and Daily Planet lobby are all the same building).
While this most recent pilgrimage is quite exhaustive, it should come as no surprise that SUPERMANIA had also visited more than a decade before (when the buildings were still open to the public) during an enjoyable excursion with the members of Dharmesh Chauhan’s Superman CINEMA message board back in the day, with pre-digital pics above revealing the sites to be in an even more pristine state, (including the infamous train station, top pic).
Further to the Den Of Geek rundown is the fact the Bannatyne gym beneath the Winter Gardens (third pic) was the Metropolis gym where Clark & Lacey’s workout was shot and just outside the Planet lobby doors was the location for the deleted scene of Lacey & Clark’s farewell in the taxi. (bottom pic) It should also be noted the Motorway used for Luthor’s attempted escape was a newly built stretch of the M25, not a Buckinghamshire road…
For even more illustrated history of the filming of Superman IV, (see the WEEKEND article quoted here) click on the post history tab on the right hand column of the page…
Presented as a companion to recommended comic reading for fans of the classic Superman features, enjoy this vintage piece on Superman’s 50th anniversary from the pages of UK Midweek magazine. Beneath the splendidly colourful cover illustrated by John Byrne is Rob Ryan’s informative but somewhat cynical piece, managing to condense the highlights of an American icon over almost two pages. While the Superman Movie series gets a very brief mention (including still from Superman IV) the biggest revelation to SUPERMANIA is that Superman’s birthday is February 29th..every four years…
SUPERMANIA is proud once again to showcase the superlative works of SuperFan Jayce76 with all-new retro style ads for Superman IV: The Quest For Peace from his outstanding site Cinemazone Wallpapers.
For those of you with a fondness/guilty pleasure for output of the Cannon Group way back when, more fantastic pieces from Masters Of The Universe and the abandoned Spider-Man movie in similarly authentic style await…
