In its 31st year at the time of publishing, The 1976-77 International Film And TV Yearbook is nothing if not a fascinating snapshot in time.
A Screen International Publication (A Division of King Publications Ltd.) This doorstop- heavy tome literally houses the film industry of the age between its garish orange covers. Edited to a mere 680 pages by ‘Mr. Showbiz’ (as referred to in the introduction) Peter Noble, its a virtual Yellow Pages of cinema. Need Michael Caine’s agent? Want to book a slot in Elstree Studios? Have an enquiry for Rank Laboratories? Its all here and good for across the globe.
The impact and readership of these annuals was obviously not wasted on one Mr. Alexander Salkind, European producer of considerable reputation in what would turn out to be his prime. Never one to miss an opportunity for advance publicity, Salkind manages to solicit both covers for two upcoming projects (on the rear: The Prince and The Pauper, third pic) including a little picture that wouldn’t hit screens for another two years.
Not content with covers and spine, all three exposed sides of the volume are also stamped with the word ‘SUPERMAN’ (second pic) even if there is no mention of the film inside. Utilizing artwork that had already spearheaded a similar campaign in the pages of US screen bible Variety, (click here) the film was at this stage clearly under the direction of Guy Hamilton.
A final treat for the Superman historian was the neat addition of the bookmark – (god knows it needs one) cleverly modelled after a clothing tag for none-other than Bermans & Nathans, (bottom pic) makers of, among many other adornments, Superman’s costume…
https://www.youtube.com/watch?v=OymF5wST1ng&feature=youtu.be
They say you should never have regrets. They also say you should never meet your heroes. Those fortunate enough to have positive experiences with the latter only serve to make the former more poignant here at SUPERMANIA.
In 1994, with the colossus of modern-day internet fandom in its infancy, the tradition of the Sci-Fi convention was quietly going about its business celebrating all things cult Stateside as it had for decades previously.
One such celebration was the annual Dixie Trek convention held in Atlanta, Georgia, where organiser and Superfan Ron Nastrom had listened to repeated pleas of fans over the years and had finally secured the first (and ultimately final) special guest appearance of one Christopher Reeve.
Hired for a Q&A and autograph session lasting the afternoon, (read Ron’s fantastic account here) Reeve would characteristically both deny special treatment and insist on signing for all attendees – None of which could’ve forseen the significance of this event anymore than the tragic incidents that would occur less than a year later.
This latest and most precious addition to the SUPERMANIA collection shown above is a rare signed copy of Convention Life Issue #1 from that same session and has its own story –
“I was Deputy Director of Security for the “Dixie Trek” Convention held in Atlanta at the CastleGate Hotel on May 13th through 15th 1994. Christopher Reeve was a guest speaker. He had another engagement in Los Angeles about a movie project but he had already committed to the convention. On Saturday, May 15th 1994, Mr. Reeve flew to Atlanta, gave a very moving speech, then signed autographs to everyone who wanted one. He even personalized them if the person wanted it. Being that I was running Security for his appearance, I was second in line to get him to sign. (I let the Director of the Convention go first!)
Knowing Mr. Reeve needed to get back to LA, we tried to rush the crowd along. Mr. Reeve wouldn’t have that. He signed every one. That was just the kind of man he was. Extremely Gracious! He flew back to LA that night. Personally, Superman really impressed me.
I forgot to get my own program signed but I got this one for someone else on my crew. I was very busy with security. Unfortunately, she had to leave the convention before I could give it to her. Then I never saw her again. It’s been sitting in a box in my closet ever since…”
While no amount of memorabilia could make up for missing out on such an opportunity back in the day, ‘Shannon’s’ loss is now definitely my gain…
Though the the restored and remastered Superman: The Movie Special Edition narrowly missed out on a theatrical release in 2001, the subsequent DVD transfer became a significant milestone in the Superman series celluloid history.
long-awaited and a superlative presentation for its time, the double-sided disc would represent the cleanest, sharpest version of the film to date in an extended cut supported by a significant amount of quality extras – but was not without its faults. (not least the awful cardboard snapper case.)
Indeed, many fans of the original picture were bemused by the liberties taken with the all-new sound-mix and some of the questionable editing choices by producer Michael Thau, whose revisions were felt by many to be invasive and clunky. Despite this, sales were immense and the Special Edition would be a mainstay for future formats (though the beloved original soundtrack would later mercifully resurface on Blu-ray)
As one of Warner Brothers flagship catalogue titles, Superman would be further awarded the Deluxe Box Set treatment in 2003,( alongside The Matrix and 2001: A Space Odyssey) by CDA Entertainment, where the original disc would be supplemented by an array of reproduction ephemera presented in a handsome oversize black case.
Stylishly marketed and backed by an all-new advertising campaign (top 2 pics for MVC Stores exclusive to the SFX Magazine Superhero Special), the Deluxe Box Set was an expensive but irresistible package in the wake of what would eventually be less affectionately known as ‘double dipping’.
Given its slick appearance, its surprising and disappointing just how poor the final product turned out to be, starting with the Senitype (where the iconic, sharp 35mm film frame is obscured by the frankly godawful quality print on the mount) and moving onto the lobby cards and reproduction booklet (badly reprinted without any restoration and consequently way too dark). The poster is also a redundant addition being folded (though an offer restricted to the US made a rolled one available).
A triumph of promise over content resulting in an underwhelming dud, the box set today (bottom pic) is affordable as the DVD format erodes but is ironically hard to find. Genuine fans, however, would be better serviced with a copy of the blu-ray and genuine copies of the original memorabilia…
SUPERMANIA looks back at what is, amazingly and to date, the only dedicated reference book on the subject of the Superman Movies in the BFI Reuben library.
First published by Scholastic Book Services in 1981, The Great Superman Movie Book is unashamedly geared towards a younger audience and by that reckoning, is pretty spectacular for the time. Presented as a softcover ‘factfile’ packed with pics & info (featuring a full-colour photo gallery from Superman II) the reader was also gifted a large poster of Superman in flight (utilising the same image from the gate-fold soundtrack LP) which I suspect was a permanent fixture on the walls of many a child in the ’80’s. Due to that very fact its no surprise that most surviving copies available today are devoid of it, making complete volumes easily the most coveted today.
Happily though, there would be a revised and updated edition accompanying the release of Superman III in 1983 with a 15 page ‘Mini-magazine’ insert devoted to the new movie compiled by Chip Lovitt. This reprinting would feature virtually the same cover (save for the ‘Includes Superman III’ blurb in place of ‘Fantastic Facts!’ and is more commonly found with the poster included being a later issue.
As a member of the school book club at the time of this book’s publishing one wonders how something like this (which as an 8-year old would’ve been manna from heaven) managed to elude me completely until the age of the internet. This plus the fact no details/pricing can be found inside for European territories lead me to believe this may have been a US only release? Could anybody else from the UK testify to having this book back in the day I wonder..?
From the top – Cover of the 1983 reprint, Intro page (listing Scholastic territories, London included) A favourite page from the Q&A section about the Superman Costume and back cover featuring uncommon ‘in flight’ pic…
Now that the merchandising powerhouse behind the upcoming Man Of Steel movie is starting to fill shelves with product across the globe, SUPERMANIA once again endeavours to campaign for a typically retro alternative.
Ironically, this project was initiated by the fresh availability of the Batman 1966 TV series licence, which, encouragingly, has been embraced by the industry and is being fully exploited even as a forty plus year-old property.
Frustratingly remaining unexploited is the ‘classic’ Superman movie series, which, despite having an equally broad, vocal fanbase, has yet to spawn a modern action figure line. Although DC Direct and Mattel continue to pump out various incarnations (of debatable quality) of the Superman character, arguably the closest embodiment of the version represented in the movies has not been seen since Kenner’s Superpowers line of 1984. Superman fans have clamoured for a figure line based on the series ever since.
In recent years Mattel had gone a great way to alleviate this by producing a totally unexpected line of 12″ adult collector figures (reviewed here, here and here) offered exclusively on mattycollector.com. While these were a welcome surprise, in retrospect, Mattel had probably passed on a better opportunity by not optioning a 6″ line first.
Cut back to 2013 and Mattel are not only full-force behind Man Of Steel but recently unveiled their Batman ’66 line to the amazement of fans that have waited literally decades for the opportunity. If nothing else, it proves how fickle the industry is and that all good things come to those who wait.
Meantime, inspired by the fabulous art-direction of the new Batman lineup I sought to create something I thought would be passable as a parallel addition. A pure wish-fulfillment project I’ve considered many times before, it wasn’t until I saw that Mattel had used a cardboard figure of Batman in their prototype packaging that I believed such a thing could be replicated low-tech by hand and look credible.
Fulfilling my brief that the final model should be a 100% practical bubble on card was not going to be easy. I have no photoshop skills but knew exactly how I wanted it to look. I called upon my good friend Jim Bowers to provide me with some high-quality images (which I composed for the backing card using Microsoft Word, no less). and then called upon Alexei Lambley-Steel to fashion me a printable Superman figure which I would hand-draw articulation on. The notion of the blister was always going to be problematic as I had no vaccuforming machine. After some thought It occurred to be laminating A3 sheets and making the shape squared off (and therefore foldable) rather than rounded would be just about undetectable. I would then photograph it so it wouldn’t be disregarded as a mere manip. The test for me was to look at it finished and really, really wish it were real. I did. Here it is above for your consideration, and I remain hopeful somebody in the industry is similarly captivated. Its already been too long…
