July 6, 1987By J.J. SMITH, United Press International…
The Smithsonian Institution has launched a new exhibit that does not leap tall buildings at a single bound but does take up more room than a telephone booth — a celebration of Superman, “America`s most famous alien.”
“Superman: Many Lives, Many Worlds” opened to the public June 24 at the National Museum of American History.
“Superman is like other people that came to this nation,” said museum curator Carl Scheele. “He`s the essence of the great immigrant tradition.”
The collection, which is part of the Nation of Nations entertainment exhibit and runs until June 1988, showcases Superman memorabilia spanning 50 years, including:
*A Superman costume worn by George Reeves in the 1950s TV series, and one worn by Christopher Reeve in the soon to be released Superman IV.
*Original copies of Action Comics #1, and Superman# 1, which sold in 1938 for 10 cents each. The comics, in mint condition, are now valued at $25,000 and $18,000 respectively, according to Overstreet Comics Price Guide.
*An original screenplay by Mario Puzo for the 1978 film Superman: The Movie.
*An original radio script and recordings of the 1940’s radio broadcasts.
*A storyboard from one of 17 Superman cartoons published in the 1940’s.
*A special edition of Superman comics that was published during World War II and was used as a teaching device for enlisted men who could not read.
*A short film that traces the history of Superman, including clips from the TV series, the movie serials, the cartoons and the latest motion pictures.
Mingling among the stars of Superman IV (Jon Cryer, Margot Kidder and Christopher Reeve) above was Uber-artist John Byrne, riding high on the current Superman run having secured his place in comics history with ‘Man Of Steel’. He recounts;
“I met Christopher Reeve twice, that was fun. I met him at DC and we talked about the fourth movie. And then for the 50th Anniversary there was a big show down at the Smithsonian. I went down for that because they invited me. He came over and introduced himself to me ‘Hi – I’m Christopher Reeve, we met at the DC Offices’ – and I chatted with Margot Kidder for a while because we were bonding on being Canadians…”
Were you fortunate enough to attend this event? Please share your memories here. SUPERMANIA extends its thanks to SuperFans Lynn Arave for sharing the outstanding photos above from his Blog Of Steel and Sammy Gomez for his great contributions to this post..!
Those of you lucky enough to be attending this years San Diego Comic-Con are in for a historic Super-treat courtesy of DC Entertainment and Warner Brothers.
To coincide with the 75th anniversary of the Man Of Steel, an elaborate showcase of genuine costumes celebrating the many live-action incarnations of Superman from the small & silver screen is currently being exhibited among the hordes of pop-culture memorabilia (credit to respective photographers for the pics above).
From CNET.com; Leith Adams, movie poster expert and the Executive Director of Warner Brothers Corporate Archive, delves into the secret history of Superman’s on-screen costumes. “I was always told, ‘You can’t save everything, Leith,’ he recounted. But when it comes to some classic Superman suits, Adams was able to save the day. Or at least, the fabric.
Featuring one Henry Cavill costume too many and a George Reeves costume too little, (with original Reeve costume re-housed from the DC Comics 75th anniversary in Valencia a few years back) this is also the first time a complete ‘evil’ Superman costume has been made available to view in public. The showcase will presumably run until the close of this years con on Sun 21st and may well be the only location (save for the Warner Museum) this Super-collection will ever be assembled again…
Taking full advantage of Propstore’s kind permission to examine their original Superman costume in detail gave us the opportunity to inspect the most minute details.
For anybody yet to have seen/spent time with any original prop or costume you may be surprised just how primitive and thrown together they are in reality. For example above is a few macro shots of the Superman costume revealing the stitched in cape padding and poppers at the shoulders, the slits made to accommodate the flying harness, the spray-paint job on the belt buckle and the stitched in supports for the \/ notch in the boot. On film under studio lighting, none of these details would be visible and the suit would appear pristine, such is the magic of Hollywood…
Presenting the second in the series of posts from SUPERMANIA & Friends recent all-access tour of the Propstore Of London’s main office where their incredible inventory of Movie treasures past & present reside.
Although the incredibly rare full-costume display pictured above has received full coverage on this blog whenever it has been publicly exhibited, this was a unique opportunity to intricately examine and photograph the costume without the hindrance of a plexiglass case – making it almost as good as being stood next to Reeve’s Superman himself.
As noted in this archive post, the tunic of this costume has been identified as one worn for early publicity shots (most prominently in the Topps trading card sets) besides being screenworn for scenes including the confrontation in Luthor’s Lair among others. As this tunic replaced the one originally shown in the Movieum Of London (due to ‘better provenance’ according to Propstore staff) there is a distinct colour difference between the top and tights as the tunic has faded considerably.
Closer inspection also revealed the cape to be a flying version as we discovered corresponding slits made either side to accommodate the wire rig and we were pleased to discover the faint outline of the cape shield, indicating that one had been present which was later confirmed by owner Stephen Lane (who is in possession of the shield and intends to have it re-attached).
SUPERMANIA extends its sincere thanks to all the kind staff at Propstore for the opportunity to examine this amazing iconic piece of cinema history up close and personal…
Another fascinating exhibit featured in the recent ‘Superheroes’ display at Indianapolis Children’s Hospital is this cape pertaining to be screen-used wardrobe from Superman: The Movie. Keen eyes will perhaps notice something strange about this particular piece in regard to the proportions and conclude that the distance between the shield and the hem appears short.
While it would be easy, then, to dismiss this as mere replica two things lead me to believe it is not and that its history may be even more colourful.
Firstly, thanks to SuperFan James Sawyer’s clear photography it becomes apparent in higher resolution the weave in both shield applique and cape body fabric are a match to other screen-used wardrobe and secondly, according to James there were slits in either side of the cape at waist level, the purpose of which he was unsure of.
All of which leads me to speculate that this probably started life as a Christopher Reeve worn ‘flying’ cape that had survived the original ’78-’83 trilogy only to have a quarter of its length hacked off for use in Supergirl, and in all probablility, SuperBoy.
As we know, all production-made Superman capes were catagorized for use by their state of degradation. Therefore what would start as a ‘Hero’ or ‘Walking’ cape would wind up being used as ‘Effects’ or ‘Stunt’ capes depending on their condition throughout filming. We also know they were maintained on-set and in many instances ‘remade’ to enure their longevity. This process was used throughout the Superman series and clearly later on in Supergirl where surviving examples were adjusted as noted above…
Many thanks to James for use of his pics and bringing this great discovery to my attention..!
