The Crown Prince Of Cannon…

With the movie rights to the Man Of Steel now residing with Cannon Films, there had been talks for the release of the fourth chapter in the Superman series to coincide with the character’s 50th birthday celebrations in 1988.  Producers Golan & Globus, however, were determined to push the project forward to meet a deadline of summer 1987, so by late 1986, the shooting schedule at London’s Elstree Studios for Superman IV: The Quest For Peace intensified to to six days a week.

As co-writer, second unit director and star, this left little time for other engagements, but newly-crowned Prince of the Cannon family Christopher Reeve nevertheless found himself duty-bound to represent.   Though Reeve had traditionally shied away from public appearances (despite requests from all over the world), the prospect of Superman himself flying in (by helicopter) to cut the ribbon and usher in a new age of cinema for British audiences was too rich an opportunity for the studio to miss.

Indeed, the opening of the UK’s second Multiplex in Salford Quays, Manchester was the crowning achievement of The Cannon Group’s rapid expansion as a UK cinema chain, having acquired several existing cinema circuits, including many operated by Associated British Cinemas (ABC) and a video distribution service.  Comprising of 8 state-of-the-art 70mm screens at a cost of £3.5 Million, the cinema was to be the centrepiece of a £25Million investment into Salford’s docklands.

Those lucky enough to attend the no-expense-spared opening ceremony recalled the experience of the night –

“The helicopter with Christopher Reeve aboard landed on Ordsall high school field – we greeted him with handshakes, he was tall and was wearing a long brown overcoat…we walked him across like the Ordsall mafia to the cinema.  He had bodyguards with him – we just walked with him from Ordsall high across Trafford Rd. to the cinema like best pals haha…he was ok and spoke to us all but his bodyguards wanted to push him along sharpish..”

“I also went on the opening night and won 2 free tickets to go on Piccadilly Radio and met Superman himself..”

The cinema would go on to great success over several incarnations before its demolition at the turn of the millennium.  Though its grand opening may have been huge local news, the arrival of Superman in Manchester somehow did not warrant national coverage, and so this fan (12 at the time!) had no prior knowledge of it until a just few years ago – particularly frustrating when I think of this all taking place less than a hundred miles away from where I lived.  While it may be an opportunity missed for me and a footnote in movie history, its nonetheless fascinating to make discoveries like these and ask the question to whomever might be reading now – were you there that night..?

“We Have Located All The Footage…”

This fascinating collage of screengrabs culled from the Superman IV; Deluxe Edition DVD represent a very special memory for me as this was irrefutable proof that not only did these scenes exist, but would finally, finally be released –

I remember first reading the news (and nearly falling out of my chair) during a Warner Bros. Q&A about the Ultimate Edition Box Set and the casual announcement that “All the footage from Superman IV had been found” and there “Will be a considerable amount of deleted scenes”.  I still refused to believe it until I saw the list of chapters themselves for rating by the BBFC. Then upon the boxset release, SuperFan Sebastian Columbo swiftly sent me the images above.

Considering the footage was the subject of volumes of speculation and debate that would litter the Internet for years, the only agreement across the board was that it would never be seen.  A true highlight of my fandom and thanks to WB for making it happen…

 

Superman IV Storyboards Cont’d…

More the Big Red Book and the continuation of the first round the world encounter with Nuclearman II. These scenes were among those omitted for the US release but present in the European cut.

Printed in blue (presumably as a revision), this is the first instance of incorporating stills from footage already shot into storyboards I’ve ever seen..!

 

‘The Collection…’

Exclusive to the UK and released in 1988, Superman; The Collection was one of the first VHS boxsets made available by Warner Bros. under the Hollywood Nites banner.

Assembled from the second run of individually released titles and repackaged as The Superheroes collection (to include Salkind productions Supergirl and Santa Claus: The Movie) the set was limited and expensive (see above ad from the Woolworths Christmas catalogue) at the time and therefore a rarity today.

Contained in a handsome box utilising elements of the shield graphic from Superman: the Movie and Daniel Goozee’s poster art for Superman IV: The Quest For Peace, its interesting to note how many production companies were tied into the distribution deals (WB/Weintraub/Cannon/Hollywood Nites) before Warner’s regained full ownership of the rights in 1993.  It would literally be decades before advances in technology would permit them to revisit the titles once again for a more definitive boxset in DVD format…